b'EVERYONEDESERVES A HOMEWe wake up every day motivated to change lives because we believe every person deserves a home. Putting clients needs and wants first is our highest priority. Instead of losing equity in this shifting market, secure your future today and contact us for your free equity growth strategy. Put the value of your home to work for you!The Update studio during rehearsal. Photo credit: Beth Sacca/NBC Universal.tion in January of 1996. ber of news-oriented comedy copycats.ESTRELLA CONSULTING GROUPMeanwhile the show was growingUpdate jokes are often accompa- Camille: 973-932-5637 and changing, spawning some unex- niedbyanover-the-shoulder(OTS)liinks.co/camilleestrellacg pectedopportunities.WhenIwasgraphic, a process that Weinstein coor- camilleestrellahomes@kw.cominterning, I had done some work withdinated then and organizes now. TheyLuis: 917-602-0293 Scan our QR code to luisestrellacg.com connect with us!Update when Norm MacDonald wasbasicallyusedheadlinesmostofthelestrella@kw.comHelping sellers prepare their homes for the best return possible.doing it, Weinstein recalls. His expe- time, he explained. They would get rience and familiarity with Updatea couple of pictures from AP, but backCovering Maplewood, South Orange, and Northern New Jerseycame in handy when MacDonald wasthen you couldnt just order anything abruptly sacked and replaced by Co- up at any time of the day, so they got lin Quinn. Norms staff sort of wentwhat they got. Weinsteins job was toEach office is independently owned and operated. with him, Weinstein says, adding thatfind the headlines and articles that in-nobody else really had any experiencespired the jokes. I would photocopy with Update at all. [Longtime SNLit, make sure it had a lot of contrast producer] Mike Shoemaker asked meand was very black and white. From tocomethere, the graphic artists would redo workintheheadlineinaprogram,andthe Updateresulting graphic would appear along asanas- withthejoke.Sothatwasmyjob sistant,then, to find headlines. That was my and I justintro to the world of Update. workedIn his 26 years at SNL, much has mywaychanged. Weinstein now goes through upfromnews sites instead of flipping through there. newspapers. I write a pack of set-ups Ba c kevery day of about three pages of one-Weinstein, backstage,t h e n ,line summaries of what is happening dressed in a costume next to former castmemberWeek- in the news, he says. Weinstein and Andy Samberg for a digitalendUp- other producers read through the jokes short called Laser Cats. d a t e submitted off these packets and high-wasarelativelysimpleproductionlightthebestofthematerialbefore compared to modern times. Updatepassing it on to the current Update writerswouldsubmithundredsofanchors, Colin Jost and Michael Che, jokesforthesegment,andthenthewho make their choices. producers would whittle those downWeinsteinthenputstogetherthe to the best ones for the show. The for- tentativeUpdatescriptlateFriday mat of Update is straightforward: aevening,usuallyaround1or2a.m. seemingly straitlaced news anchor de- Saturdayisspentwriting,rewriting, livers a two-line jokea factual set-upand organizing graphics. The show has followed by a punchline that is oftenanafternoonrunthroughbeforethe absurd or scathingly sarcasticand itaudience files in for the dress show at 8 has inspired a seemingly endless num- p.m. Anything that doesnt survive the feature story /17'